Source: http://news.feedzilla.com/en_us/stories/politics/top-stories/81838851?client_source=feed&format=rss
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Source: http://www.mightybody.com/2011/04/about-massage-oils-aromatherapy.html
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4 hours ago | WENN | See recent WENN news ?
Photographs which appear to show Britain's Prince William stripped to his underpants and dancing in a feather boa at a party have been published by a U.K. newspaper.
The pictures were allegedly taken in December 2002 - before William began dating fiancee Kate Middleton - at a 21st birthday bash organised by the royal's pal James Tollemache.
A man, who bears a striking resemblance to the groom-to-be, is shown soaking wet after jumping into a moat at a country estate in Suffolk, England and dancing in his boxer shorts wearing a purple feather boa, while a girl ties a pink corsage around his waist.
The photographs, obtained by Britain's The People newspaper, are said to have been taken while the prince was enjoying a break from university.
A party goer tells the publication, "He was cool about stripping off and really going for it... He was having a boogie (dance) in his pants and a couple of feather boas. It shows how popular he was. Wills wasn't a big boozer - these were just high jinx."
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Stephan Tillmans photographs the final flickering images produced by turned-off TVs.
These images may look like the product of hours spent on Photoshop, but they?re actually memento mori of the kind of TV sets your parents (or even grandparents) grew up with.
Retro televisions sparked an interest for Berlin graphic designer Stephan Tillmans after he noticed the brightly colored picture breakdown when certain screens were switched off. After much experimentation with old televisions, Tillmans realized that every old television has its own ?death,? and, with enough patience, this could become an intriguing photographic subject.What started as a happy discovery has turned into a kind of expertise for Tillmans, who explains to Wired.co.uk that ?some televisions give better results that others. The TVs I photograph are of different models and sizes.?
Choosing which televisions will provide the right results is somewhat of a fine art, as television deaths that appear photogenic initially may not through a camera lens.
?I am now able to tell whether or not a television has the right potential when I am switching it on and off in a shop,? Tillmans says, ?but I have bought a couple of TVs which turned out to be no use, even though they looked promising to the naked eye.?
But selecting the right TVs and wrangling them up to his fourth-floor apartment are just the first steps of Tillman?s laborious photographic process. Insistent that his field of work is about the science of the image and its photography, rather than the technology behind them, Tillmans explains that the pictures are essentially a product of capturing the right moment ? even if it takes up to 800 photos to snap the perfect image.
?I can?t walk past any old television without switching it on and off.?
?The decisive moment is very short,? reveals Tillmans. ?There is a certain motion which makes it difficult to achieve a crisp and sharp photo. The effect does not only depend on the exposure and the moment the shutter is released, but also the length of time the TV has been running before it is switched off.?
Added to this precision, Tillmans tries to work as dust-free as possible: ?Hair or coarse dust can really destroy a picture because the structures are too fine to retouch anything.? After that, it?s just a case of slightly altering the color levels and attempting to reduce the moir? pattern, although this is ?almost impossible.?
Aside from these stunning shots, the project has also left Tillmans with a taste for television-death discovery: ?Now I can?t walk past any old television without switching it on and off.?
You can see more of Tillmans? fascinating shots in Wired UK?s gallery.
Another photo of a ?dying? television set.
Photos: Stephan Tillmans
Source: http://feeds.wired.com/~r/wired/index/~3/T0SDiuwK4v0/
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Hundreds of lawsuits have flowed from the Deepwater Horizon catastrophe, filed by citizens, states and the federal government. And someday, perhaps, the Gulf of Mexico?s ecosystems will also file suit.
Environmental philosophers and other people say that biological communities ? ecosystems, habitats, species and populations ? have a right to exist. They?re not just valuable because they?re someone?s property. Environmental lawyers say courts should recognize this right, and could allow people to represent nature as legal guardians or trustees.
Were nature?s rights recognized before the Deepwater Horizon wellhead blew, the destruction might have been avoided. In its aftermath, future disasters might at least be averted. If nothing else, pollution?s toll would be fully acknowledged in courts of law, not just public conscience.
?There is room in our legal system to expand the concept of guardianship,? said Patricia Siemen, executive director of the Center for Earth Jurisprudence. ?The inlets and the marshes, the beaches that are damaged, species of birds that are threatened ? each one may have its own guardian, with a right to speak for the interests of that being, and the legal authority to speak for that being.?
Legal recognition of ecological rights was originally proposed in 1972 by University of Southern California law professor Christopher Stone, who floated the idea as an academic exercise but became convinced of its justification. To Stone, arguments against the intrinsic rights of animals and ecosystems to exist were no more coherent than historical arguments against the rights of foreigners, children or women.
(Had Stone written a century earlier, he would have found a sympathetic ear in Charles Darwin, who in The Descent of Man wrote that humanity?s social impulses produced an ever-expanding circle of empathy. As mankind extended his regard ?to the lower animals, so would the standard of his morality rise higher and higher.?)
?The way our laws are constructed, anybody in the community can stand in the shoes of the river, so to speak.?
Stone?s landmark essay ?Should Trees Have Standing?? (.pdf), was derided by some scholars. ?Our brooks will babble in the courts / Seeking damages for torts,? chided one attorney. Others embraced it, including Supreme Court justice William O. Douglas. It became an environmental rallying point, and influenced legal activism in the decades to come.
In its modern form, natural rights are not usually framed in terms of individual creatures ? though laws against cruelty to animals implicitly acknowledge their rights ? but rather populations and ecosystems. In many ways, laws recognize those rights, too: The Endangered Species Act says that species have value. The Oil Pollution Act, which will guide the environmental assessment of Deepwater Horizon?s damage (.pdf) and ultimately determine what the U.S. government asks BP to pay for restoration, appoints various federal agencies as trustees of damaged Gulf habitats.
But there are important differences between the trusteeship sought by natural rights advocates and the trusteeship of the Oil Pollution Act. Under that law, only federal agencies can represent the Gulf of Mexico?s nature. Citizens and communities cannot. Meanwhile, the OPA?s trusteeship only kicks in after a disaster.
?Where natural rights would have the greatest influence in the context of oil and oil spills is before oil spills occur, when you?re trying to prevent damages from occurring,? said Kathryn Mengerink, director of the Environmental Law Institute?s Ocean Program.
A natural rights strategy for Gulf citizens can be found in statutes drafted by the Community Environmental Legal Defense Fund, a nonprofit group that?s worked with dozens of Pennsylvania communities trying to restrict natural gas drilling and sewage sludge dumping. The statues explicitly grant towns and cities ? most notably, Pittsburgh ? legal standing to enforce the rights of ecosystems and natural communities.
?The way that environmental laws work now, is that unless you experience direct harm, you don?t have legal standing,? said Mari Margil, the CELDF?s associate director. ?The way our laws are constructed, anybody in the community can stand in the shoes of the river, so to speak.?
?Nothing in the text of Article III [of the U.S. Constitution] explicitly limits the ability to bring a claim in federal court to humans.?
Similar statutes wouldn?t have allowed Gulf communities to stop deep-water oil drilling ? indeed, many Gulf communities wouldn?t have wanted to stop it ? but the statutes would have given the public a chance to participate in drafting drilling regulations. BP might not have been given a free pass.
?The guardian for fish, for seagrass, for whatever might be granted, can be at the table where those regulations are drafted,? said Siemen. ?Obviously, it has to be someone with a conservation biology background, but they?d be there to give input.?
If Gulf communities became legal guardians for nature, they would also have recourse should the government?s estimate of Deepwater Horizon?s environmental damage prove low. This could happen if there?s political pressure to settle with BP, if the science becomes skewed by corporate or political pressures, or if some damages are simply overlooked.
The spill?s deep-sea effects in particular may be underestimated, with assessments focusing on wetlands, shallow-water fisheries and other ecosystems that are both commercially valuable and relatively easy to study, said Cynthia Sartou, executive director of the Gulf Restoration Network.
Under the Oil Protection Act, however, only state and federal government agencies can represent nature. People could hypothetically sue the federal government to do a better job, but it?s unlikely. ?You are very limited in your right to sue. You are very limited in your right to even comment on what they do,? said Sartou.
?In a system of natural rights, it wouldn?t simply be the federal government who has the opportunity to support those rights,? said Mengerink. ?It would be the public. If you don?t trust the government to do its job, this would be added support.?
Whether natural rights statutes will hold up in court remains to be seen. So far, judges have been inconsistent in their treatment of the idea, which has generally been advanced in connection to individual animals rather than ecosystems.
One promising sign came from the federal Ninth Circuit court?s 2004 decision in Cetacean Community v. Bush, in which the court had to decide whether ?the world?s cetaceans have standing to bring suit in their own name? in challenging the Navy?s use of whale-harming sonar. The court ultimately ruled against recognizing the cetaceans? standing, but wrote that ?nothing in the text of Article III [of the U.S. Constitution] explicitly limits the ability to bring a claim in federal court to humans.?
But Siemen warned that laws alone aren?t enough. ?For a natural rights movement to be successful, there has to be a huge shift in our consciousness,? she said. ?If we adopt more environmental laws, and there hasn?t been a shift in the value system of humans toward caring and protecting, then those laws won?t be enforced.?
Images: 1) Striped dolphins swimming through oiled water (NOAA). 2) Community of creatures around a ?cold seep? on the Gulf of Mexico seafloor (Derk Bergquist/Marine Resources Research Institute, South Carolina Department of Natural Resources).
See Also:
Source: http://www.wired.com/wiredscience/2011/04/gulf-natural-rights/
Watching John Maus talk about his music in an interview (see the one from The Drone at the end of this post), it's not surprising to learn that the synth-pop deconstructionist is also a political philosophy and theory instructor at the University of Hawaii at Manoa. He's also working towards a Ph.D. in Political Science. The guy's got an incredible amount of energy and a million different ideas colliding in his wildly creative brain at any time.
This summer John Maus will release his third full-length album, and first since 2007, with one of the best titles I've ever heard: We Must Become The Pitiless Censors Of Ourselves. Hey, John, I'm with you, man.
?"Believer" is the closing track to the new album, due out June 28, and the first official single. The video, produced using rare, vintage equipment, looks like it was recorded on an old VHS tape deck circa 1982, with flickering digital static and rainbow-colored overlays.
"The video was the result of an ongoing collaboration between Jennifer Stratford, Nicolas Amato, and I," Maus tells NPR. "Like the music, (it) wagers (that) all these old machines now consigned to obsolescence afford expressive possibilities the mere 'cutting edge' never could, you know? It is also about honoring that great figure of daring, Mr. Jack Chan, and for reasons more complicated and numerous than I could possibly go into here."
"Believer" itself is a driving, bass-heavy blast of brilliant synth-pop with Maus' vocals floating in a sea of reverb.
"I suppose what I was after, what I'm always after in some way, is a singular affirmation that we are something else than this, you know?" Maus says. "Something better than what we all most often seem to suppose we are. I mean, what else should music be than this: an anticipation of what would finally be itself?"
You'll likely be hearing a lot more from John Maus this year. If "Believer," and "Quantum Leap," another track from his upcoming album that he gave away on his SoundCloud page last month are any indication, We Must Become The Pitiless Censors Of Ourselves could be a breakout record.
Check out this interview he did with the French site The Drone. It'll also give you a good idea of what his incredible live performances are like.
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